Why are the Na’vi in “Avatar” blue? A “woman” who appeared in the director’s mother’s dream has a lot to do with it.

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Last Updated on 12/22/2022 by てんしょく飯

 

Avatar: The Way of Water,” the sequel to the worldwide mega-hit movie “Avatar,” has been released. Director James Cameron revealed the reason why the Na’vi, who are an integral part of the story, are blue.

 

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Why are the Na’vi blue in “Avatar”?

 

Avatar: The Way of Water,” released 13 years after James Cameron’s 2009 blockbuster “Avatar,” which set a milestone in the film industry by becoming the highest-grossing film of all time worldwide, opened at number one in 135 countries and territories.

 

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The Na’vi, the indigenous people of the satellite Pandora, who are at the core of the story of the “Avatar” series, are characterized by their beautiful blue bodies.

 

Although the world is filled with many different colors, why did the Na’vi turn blue? Director James Cameron revealed the reason to Empire.

 

Director Cameron also considered colors such as green, yellow, and pink, but avoided using them because they each had images of famous characters, etc. “As for the color, green was taken. There was a long history of green aliens. And there is also the Hulk. And pink and brown, which are human colors, are not alien-like. SpongeBob was yellow. Then you are left with blue and purple. Purple is my favorite color, but I did that to use it as the main color for bioluminescence,” he said.

 

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But this was not the only reason for making the Na’vi blue.

 

The image of the woman in his mother’s dream

 

The choice of blue for the Na’vi was also related to a woman who appeared in his mother’s dreams. Director Cameron apparently heard about the woman from his mother and said, “In her dream, she saw a blue woman who was 10 feet tall (3 meters) and had six breasts. That’s a cool image. I drew her, but I couldn’t draw her with six breasts as good as it sounds. Plus, it would affect the (age) rating of the film. So, anyway, I want to make it blue,” he also revealed.

 

 

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